“I decided to support the San Vincenzo De’ Paoli Institute because I believe that the Italian schooling has to meet the requirements of the modern society and to make itself cherished by students”, Mr.
Students’ families bear the cost of ordinary curriculum, while the study of foreign languages, the sports, the Web and Music classes are financed by Micoperi. The training includes Web classes (education to the use of Internet) and Music classes (piano, guitar, transverse flute), always within the ordinary curricular timetable. The inclusion of the Russian language is also planned over the coming months.Ī special attention is paid to sporting practice, in particular to those disciplines which favor both the team spirit (such as rugby) and the personal growth of individuals (sailing, rock climbing, riding). The teaching and methodological innovation is realized through a conscious use of information technologies, digital classrooms (interactive multimedia teaching tools), LIM (interactive multimedia board) and tablet, the intensive and continuous study of three languages: English and Spanish languages starting from the age of 2 years with native language teachers, in addition to the Italian mother tongue. Thanks to the substantial contribution of Micoperi SpA and its Managing Director Silvio Bartolotti, the Institute is today able to provide an advanced and well-structured teaching program, different from the public school’s. The “San Vincenzo De’ Paoli” Institute is a private school which depends on San Vincenzo Foundation having Monsignor Ugo Salvatori as its president. Presso Olschki ha pubblicato l’ Autunno del Rinascimento, 1971 e 2014 l'edizione dell'inedito di Carlo Denina, Dell'impiego delle persone, 2020, e delle rare Storie bibliche di Johann Peter Hebel, 2020.The Institute, managed by Professor Enrica Giovanetti, provides for an educational path going from the age of 24 months up to the age of 14 years through the Nursery School, the Primary School and the Lower Secondary School. (agosto 2022) -Ĭarlo Ossola I nsegna al Collège de France, cattedra di «Letterature moderne dell’Europa neolatina». Si dedica alla ricerca fotografica dagli anni Settanta e recentemente ha intrecciato il suo percorso con quello di alcuni poeti contemporanei. Ora insegna Fotografia dei Beni Culturali ed Editing della fotografia all'Accademia di Belle Arti di Frosinone. Nicola Giuseppe Smerilli Ha insegnato Scenografia e Fotografia presso l'Accademia di Belle Arti di Roma e Bari. Attualmente è direttore di "Espaço Atlântida: Centro de Estudos da História da Leitura" a Lisbona. Ha occupato la cattedra di "Europa: lingue e letterature" presso il Collège de France dal 2021 al 2022. Fino ad agosto 2018 è stato direttore della Biblioteca nazionale argentina. Ha pubblicato sia narrativa che saggistica e ha ricevuto numerosi premi internazionali, tra cui il Formentor 2017 e il Premio Gutenberg 2018. A book that rejoins, as noted by Alberto Manguel, “the breath of the universe in the breath of the word.”Īlberto Manguel È uno scrittore, traduttore e critico canadese. Osip Mandel'štam's formula accompanies us on this journey of words and images, ready to fade from sight to imprint themselves in the mind, in a delicate etching of eternity: “ sì come cera da suggello, / che la figura impressa non trasmuta (Even as wax the seal’s impressed / where there’s no alteration in the form) (Purg., XXXIII, 79-80). It is most difficult to descend through the steps of his much farewell-bidding verse”. The suggestion that descends from those blue and gold walls not only dictates the luminous tiles of Paradise, but also removes any semblance of “here”: “Dante has images of parting and farewell. Alberto Manguel and Nicola Giuseppe Smerilli take us on a journey to Ravenna through Dante's eyes, contemplating the eternal gazes that stared back at him from the mosaic icons of Byzantine monuments in the place that was his last refuge. Can the places of an exile be represented, when the exiled perceives nothing as “his own”? When - especially for Dante - the names that make up the landscape of memory resurface in a painful litany: “Sacchetti, Giuochi, Fifant, and Barucci / Sizii and Arrigucci” (Par., XVI, 104 and 108).
0 kommentar(er)
